“Ladies, Ladies!” Art Show Submission

•November 30, 2010 • Leave a Comment

Just packed this one up and mailed it out.

The show is being hosted by Tattoo Culture Gallery in Brooklyn, NY. Doesn’t look like I will be able to attend the opening on December 10th. There are some amazing artists participating in this show and I have to admit that I was a tad bit intimidated. It occurred to me to back out – but since I had given my word (and was and am excited to be included) I pushed past the uncomfortable and sent this out.

I did of course wait until the last possible minute – such is the nature of fear. Hopefully I can get the piece for the show in Mass done a tad bit earlier.

No title really presented itself for this one, so I sent it out “Untitled”.

It’s been a long time since I did a burning and this is the first one that I enhanced with additional color. I was pleased with the results, but they were exceptionally difficult to control.

My apologies to my vegan friends…. While I am not eating meat, I am still using animal products. Don’t hate me for it.

Continuing Education

•November 16, 2010 • 1 Comment

So continues the ongoing quest to learn and grow as an artist (well and as a person… but that is a different conversation).

Sunday was our first get together of the as-yet-unnamed Art Group. Being the socially inept variety I was nervous about it working out. A few people cancelled at the last minute and then when I was almost there I realized I had forgotten my paint at home and had to go back for it. I was late to my own get together!

The worrying was for naught. I had a good time after I got over myself. The time flew by and I actually painted. It works so much better to be able to get out of the house to create. Everyone I talked to felt the same way and as far as I know everyone is planning on coming back next month. I had thought that I was going to need to have theme days and planned projects in order to keep everyone interested – but it was nice just to work on our own things in a group setting.     In the future I think that I will have some suggested challenges and/or ideas for people to work on – but also welcome people to come and just do their own thing as well. We’ll see. I think it will be an evolving changing thing and I like the idea of letting it grow on it’s own instead of trying to “control” everything.

Here is the piece that I started in the group. When I got home I added the highlights to the eyes before I set it aside to let this layer dry. Hoping to bring the eyebrows out further and give him some more depth and dimension. May add some decorative elements to him as well. I don’t know if he wants to be fancied up or not.

Fortunately I was pretty pleased with the way everything turned out on Sunday – because Monday was back to the life portrait drawing class.

Fred Lipp told me one time that if you aren’t uncomfortable when  you are working on a piece, then you aren’t learning anything from it. In this instance he is right. I am definitely uncomfortable, but I am learning a ton. Even if it doesn’t show in the sketches that I am doing in class, it is sinking in to the ol’ noggin.

This week Pat introduced color into the mix. She gave us a charcoal-ish version of a blue, red and yellow to add to the mix. We played around with them a bit and she reminded us of the effects of cool and warm colors and showed us blends that one can achieve with just these colors plus the black and white.

Colored a duck that was in my sketch pad:

First we did a “warm up” version without any color :

and then a longer session trying to incorporate the colors as well: 

and of course another since we had time 

I think that I need to try and slow down. The idea of having such a short period to try and capture everything at once puts me in the mindset to go too heavy too soon. I want to try to back off and work on my proportions and basic shapes before I get too heavy with the charcoal. In addition I think that I need to find a harder charcoal to work from initially. To be able to sketch in my center lines and basic form shapes before I get into shading the core shadow. It wasn’t until I was able to step back and look at these from a distance this morning that I saw how off the proportions were and basic things like the eyes being different heights in this one (that happened with the pieces from the previous sessions as well. I was so focused on the shadow shapes that I didn’t pay attention to the placement and proportions till after it was finished).

Pat has been very helpful and patient. Learning the basic guidelines for facial structure have been enormously helpful.

I do not believe that I will be able to attend next week’s class and the week following is the final one for the session. Some time shortly after that I will start back into Fred’s painting class at the Memorial Art Gallery. I have taken classes from him in the past – but it has been awhile. Where Pat is patient and supporting, Fred is brutal and honest. I need both. While it does hurt to have someone tell me how much I suck at what I am working on – it is necessary if I am going to see what I am working on objectively (but it sure does sting at the time).

 

 

Some Tattoos from this week

•November 14, 2010 • Leave a Comment

It’s been a while since I posted photos of stuff that I was working on… so here is some of what I have been doing this week.

We put some background on Jake’s Darth Vader on Wednesday:

We made it to “almost finished” on Stacey’s welder chick:

Did a little bit more on Meghan’s Franz Marc piece (or is in Marc Franz? I get mixed up on that):

and tonight finished up on Jeff’s pirate ship. This was Jeff’s first tattoo… I have it on pretty good authority that he will be getting more : )

Hope everyone has a great weekend!

Progression of a Design – Mary’s Sleeve

•November 12, 2010 • 2 Comments

I have very few units of measure for time in my life. Most things fall into the categories “today”, “yesterday”, “the other day” or “back in the day”. This story begins back in the day.

I have done a number of back piece tattoos over the years. Most all of the people that I have done backpieces on have gotten to be friends. All of them have made an impression on my life. We spend a whole lot of time together over the period that the piece is being worked on. For better or worse, we get to know one another.

Rich had a backpiece done way back in the day. I am a little unclear if it was before or after we moved into the bigger shop on West Ridge Road – but I am guessing that it was somewhere along in the area of 1995 (maybe 94). It had to have been one of the first ones that I had done. Rich and I had agreed on a price structure based on full day sessions instead of the hourly. It worked for both of us. This is something that I still do often – flat price for the whole day. That way people can plan and know what they need for on each visit. Rich was bound and determined to get every possible cent that he could for these sessions. The man was prepared. He came with cooler in hand. Filled with everything that a tattooist could need to keep her happy. He always brought a variety of sandwiches or subs (after having interrogated me for me favorites) little snackie type things and beverages of choice (I think back then I was drinking MelloYello). We talked, we tattooed, we snacked and we became friends.

After his backpiece was finished I did some other work on Rich and then somewhere along the  line he moved to Virginia. I continued to tattoo him when I was working nearby and I had stayed with him in his home when I was attending the Richmond convention.

We kept in touch a little bit through email and what-not, but after a while had drifted apart and had not talked in a couple of years. It wasn’t something I even thought anything of. There are just some people that you can not talk to for a year or two and when you bump into one another it picks up right where it left off. When I did think of Rich I just figured that I would hear from him again.

It wasn’t Rich who reached out and got ahold of me however – it was his widow. I was stunned.

Mary wanted to get a tattoo from me. A tattoo for Richard. Most of her right arm.

A tattoo of great importance to her – in her own words “we were soulmates, and so much in love with each other…like a fairy tale come true for both of us..we meant everything to each other…and that i will love him until the day i go be with him..and we are reunited again…”

She had some sketches and ideas on what she wanted it to look like. A portion of it was going to be a tattoo of some roses that I had designed for Richard many years prior and that he had never had done.

We talked and Mary mailed me the design that her daughter had drawn up for her.

The design arrived at a point when I was feeling very overwhelmed in my work and had taken on far too many projects all at once. I just didn’t think that it was going to work well trying to do this large a piece, from this reference drawing and from this great of a distance. I wound up sending the design back to her with some notes on it as to changes that would need to be made in order to make a sleeve out of it. I just didn’t feel up to undertaking the project and Mary had indicated that she had a local artist who could probably do it for her.

Some time passed and Mary got back in touch with me. She had thought about it and decided that she would like me to make the necessary modifications and do the tattoo for her. By that time I had cleared some of the heavier projects from my work load and agreed to take it on.

Mary sent me photos of her arm and all the measurements that I would need in order to map out the design for her arm. (In addition to returning the original sketch and my modification overlay.)

It turned out that there was also a small cover-up involved which for once wasn’t much of an issue. (Usually cover-ups involve complete re-working of the design to adapt around the existing tattoo).

I talked to Mary about the modifications that I would like to make to the piece and why. I finished up drawings of the bulk of the image:

The Wolves that Mary had selected for reference were too small and pixelated to work from, so better source material was required.

So when Mary arrived she saw the layout for the first time (except for the wolves)

and the line work which I would use to apply the stencil:

The first session went really well. Mary was able to sit for a very long time. We were able to complete most of the outline and start the color on the shoulder. I wanted to be sure to get some of the coverup area started so that I could see how well the covering color was going to hold.

Mary also selected another pair of wolves that we would be able to see well enough to work from and they were added on the back of the forearm on a subsequent sit.

and the next session:

And the final sit:

Not technically a full sleeve as we left room for future additions.

This was a very emotional piece for me to do and it was wonderful meeting and getting to know Mary since I had not known her when I was tattooing Richard regularly.

Mary and I are both very pleased with the finished piece and I am sure that Richard is as well.

Rest in Peace friend.

Does there have to be Stress?

•November 11, 2010 • Leave a Comment

Again, thinking about the steps outside the comfort zone. One of my teachers had told me that if you are working on a piece of art and it isn’t uncomfortable, then you aren’t learning anything. So I am figuring that I am in the midst of a huge growth spurt at the moment.

Artistically I am intentionally pushing myself in all sorts of directions where I have never pushed before. I have traditionally stayed within the range of things that I believed that I could do well. I am now bounding into areas that I thought I would fail spectacularly in and am not only growing and learning but am also enjoying immensely. I have talented people around me who are pushing themselves as well and most importantly we are having fun.

Last night I had another client fly in to see me. When that first happened I remember being amazed and flattered. I still am. I am honored that people are willing to travel great distances to allow me to do work for them. There can also be a great deal of stress involved in that. Especially in the days leading up to the appointment. The past week it seemed like everyone around me was sick. I was admittedly worried that I would wind up ill. How could I possibly cancel on someone who had gone through so much to come and see me? (This amazing woman not only flew in and paid an exorbitant fee to take a cab from the airport but she also walked from the hotel to the shop in the dark!) Fortunately everything worked out well in the end and this morning she is heading home happy (but sore).

Professionally I have made some minor changes and am about to embark on another huge one. There is fear and trepidation, but there is also great excitement.

I live by the belief that everything goes the way it is supposed to go…. but that doesn’t stop me from having opinions about how I want things to go! Will the Universe bring the things that I am pursuing at this moment? Or does it have something better in mind? Where will we all be tomorrow?

I will just keep putting one foot in front of the other and do my best to enjoy the ride…. doing my best to remember that the excitement and surprise are part of the fun.

 

What to do…. What to do…

•November 6, 2010 • Leave a Comment

So I have had a whole lot going on this week. It’s been more crazy than I could or would even begin to get into here. So I realized last night that I hadn’t done my homework for our bi-weekly art assignment.

This was the image that we were using for inspiration this time:

I really had a hard time with this one. So I had been putting it off and putting it off.

Last night was the “last minute” which is when I usually wind up doing everything anyhow. I figured that I would do something with the charcoal because we are using it in the portrait class and I am not at all comfortable with it. (That’s really an understatement…. I avoid both charcoal and pastels because I don’t like the way that they “feel”. I really try not to touch stuff like that at all). So I could practice with charcoal and get my homework done all in one shot.

This is what I came up with:

It was the only area of the piece that I was drawn to at all. I like the curve on the hand and how the fingers bend back ever so slightly. (A lot of Mucha’s women have this as well.) I made some aesthetic changes to the rodent but other than that tried to stick pretty close to what I could see in the print out that I had.

Much to my amusement when I got to the shop today to hand in my assignment and go over it with the crew… I found out that no one else had done it. I felt much better!

There were varying reasons for this – but mostly it was because no one else really felt inspired by the piece either. Damon said that he would post later about why specifically so I will leave that alone for now.

Hopefully we will have better luck with today’s selection (which to the best of my knowledge has not been made yet).

____

Later that very same day!!

Casey sent me his thoughts and an image…. Casey said:

“I found a lot of things fundamentally unsettling about the image to begin with… the guy had a rat or something in his hand behind her back, their position was awkward and seemed dispassionate and unnatural, she was notably smaller than him, etc. so I went with that impression and just had fun with it.”

Still Outside that Comfort Zone

•November 6, 2010 • Leave a Comment

Going to post these because I said that I would. There is no class this coming Monday – but I will post whatever happens the week following.

Outside that Comfort Zone

•October 27, 2010 • 3 Comments

So there has been much discussion as of late about stepping outside of comfort zones and growing as an artist.

It is important to me to do this and to push myself so that I do not stagnate. So along those lines I am going to publish the results from my first two weeks in portrait drawing class. We are working from real live people and I am not really thrilled with the results.

I am putting these up here for a few different reasons. One, I would like people to know that I am walking what I am talking. Two, I want to demonstrate that the immediate results are not what it is truly important… and lastly I am hoping that as the class progresses I will be able to see an improvement in what I am doing. (I will post the drawings from other classes here or in another post.)

I know rather this proves to be true or not that I have already learned a great deal about both myself and about drawing portraits and I am glad to have been able to do this.

——-

These sketches were done in about 15 minutes each and all of them had different goals. The class is being taught by Patricia Tribastone at the Art Stop in Webster, NY.

October 9th…. What would you do with this?

•October 25, 2010 • Leave a Comment

A couple of weeks ago some of us were looking at one of Starr’s paintings – she showed us the reference photo that had inspired the piece. Both Damon and I thought that the reference photo was cool – but had said that we would have taken it in completely different directions.

Thus began a new project for us.

Every other Saturday Sara selects a starting point for us. Each artist takes the image home and does whatever it inspires them to do. Our first one was handed out on October 9th.

This is the original source image:

Young Flavian Woman

What Damon did with it:

What Starr came up with…. Starr also mentioned that she was going to add a fork to the top of this. If she does so, I will be sure to add the update:

And what I did with our young Flavian woman:

Damon came back to this one later (in December)  and sent me this study that he had done from the original Flavian Woman image:

The one that has been selected this time is:

We have a couple of extra players this time as Joey and Casey have decided to have a go at it as well (of course both of them agreed before they had seen the source photo). Hopefully I will get the results posted back here promptly after their completion (and subsequent scanning).

If anyone out there would like to play along – feel free… and if you would like to forward what you come up with, I will add it here.

The Not-so-solitary Artist (Group)

•October 24, 2010 • 2 Comments

The pursuit of art is generally a personal and private matter. For those of us who tattoo, we do often work out of studios with other artists and there is the advantage of cross over inspiration and some discussions about the tattoos that we are working on. At the end of the day, when we go our separate ways and work on our own private projects, there is not that feedback or outside influence.

This (like all things) has it’s good and bad aspects. There does come the time when feedback and camaraderie would be helpful. Without it, we can easily find ourselves in a rut and no longer pushing our boundaries or growing as an artist. Sometimes there is the desire to try a new technique or medium. Sometimes there is just the vague desire to do something differently.

Thus the point of this group. A number of different ideas have been voiced for name choices, but to date none of them have stuck.

The idea however, is firm and the time has come to share.

What we are going to do is get together once a month. Always on a Sunday and for the foreseeable future the second Sunday of each month. There will be different projects for each month. Some of the things that have been suggested are :

live figure drawing

scratchboard

velvet painting

finger painting

seminars from other artists in different media

group still life excercises

you get the idea.

Our first get together will be on November 14th from 3pm – 6pm in Webster. This first one will be pretty informal so that everyone can find the place and get to know each other. We are just asking that everyone who comes brings a project to work on. Then we will hang out in the same space, snack, work on our individual projects and see what everyone else is doing.

If you are interested in attending, please email me for specifics or give a call out to the Webster shop during normal hours. (585) 872-2722

Look forward to seeing you there!

(and if you can’t make it for any reason, we would still appreciate suggestions on projects)

thanks!!!