Well, I don’t think that I am a Bitch…

•February 9, 2011 • 2 Comments

and if you think that I am such a horrible person, why do you want a tattoo from me in the first place?

There. I have the retaliation end of that out of my system now and we can move forward.

I have been doing battle with this issue for a while. I’m not terribly sure what to do about it and/or how to explain to people without them taking it personally and attacking me. So I am going to try again to explain.

There was a time in my “career” when I was hungry. Literally. Hungry. I didn’t know where the next job was going to come from or how I was going to pay my bills. In addition to doing illustration work I was waitressing and bar-tending to make ends meet. Things were bad.

It didn’t get much better when I first started tattooing. Tattooing was not then what it is now and there would be days when no one would come into the shop or call. (I mean that likes days in a row – not just days here and there.) Being the apprentice I was bottom rung for anything that came in and if I did work I only received a small percentage of the price of the tattoo. The owner of the shop would sometimes pay me to make needles and that was often the only money I would make there that week (at this point I was still waitressing as well).

I won’t bore you with the details of the middle part – but it took a very long time before I was able to quit the bar and the subsequent day job that I had. By then I owned White Tiger and had actually had to quit the day job more because of an employee issue than because I could afford to.

I would talk to artists at other shops. Bare had told me that he was booked up for a week sometimes two ahead and I couldn’t imagine how wonderful that must be. To know each day what you were going to be working on and that there would be money at the end of the week.

Obviously I found out. As the years rolled on I went from being booked up a week or two to a month or two. Eventually it reached the point where if I wanted to – I could be booked for a year or two.

I had to do something differently. I was missing weddings and important events in my friends lives. I was missing my life.

My mother is an accountant and she tells me all the time that it is very simple economics and I need to charge more. A lot more. That would dwindle down the number of clients and I would make more money working less. Sounds good, doesn’t it?

It would if I did this for the money. I don’t. I LOVE tattooing. I am not burned out on it. I do not have physical problems which make it awful for me to tattoo. I do not hate the people that I work on (all of which are common ailments in our industry). I still love the industry and making tattoos for people.

So if I am not going to jack my prices way up and I am going to continue to love what I do… what do I do? I have chosen to limit the tattoos that I will create to things that either only I can do or things that I will love to do.

Period. That’s it. Simple.

Yes. That’s right. It’s for me. I make the tattoos that I enjoy making.

Because I can.

I do not want to be booked for two years doing names and kanji and tribal pieces and missing my life. I have artists who are newer than me and don’t have the client base yet who are willing capable and yes, would like the money as well.

So when you call me up, email me or stop in to the shop and attack me for not wanting to do your tattoo,  it does not help your cause. When you tell me I am a bitch it doesn’t make me want to work on you. When you tell me that you need or want “a TeeJay” as if I am a collectible, I do not get a warm fuzzy feeling. I actually wonder what the hell this has all become. When you try to use one of my family members to get an “in” or bypass the waiting list I wonder what you are thinking.

And when I tell you that I don’t think that I should make your tattoo because you would like it done in a style that I am BAD at and you tell me “No, that’s alright I trust you. I know that you will do a great job with it.” I want to scream. I am telling you I am BAD at what you want done. I can refer you to someone who is GOOD at what you want done. You are telling me that you trust me…. but you aren’t listening to what I am telling you.

I have these conversations every day. I get attacked. I get yelled at. I see people barely containing how pissed off they are at me. I understand you are disappointed. I understand that it wasn’t what you wanted to hear.

Please keep in mind that it isn’t what I would like to tell you either. I would love it if I could make all the tattoos that came my way. I would love it if I had more time in my day. I do wish that I was exceptionally talented in every single aspect of tattooing.

In the really real world I have to set some limits. So if that means that you wind up on the wrong side of that division and I can’t or won’t do your tattoo, please keep in mind that it isn’t personal. It isn’t a judgement on you or the tattoo that you would like. There is no reason why you shouldn’t find someone who can make your vision a reality for you. If you choose to hate me for that decision I will have to live with that as well.

So I will try to remember that you are mostly disappointed and (hopefully) don’t just hate me as a person. If you could please try to keep in mind that I am NOT trying to hurt or attack you – just to try and take care of me and my family. That would be really great.

If not, if one of us winds up pissed off at the other – than, well… we get an opportunity to practice patience, compassion and forgiveness.

In the end, it all goes the way it is supposed to go – even if that isn’t the way that we WANT for it to go.

Figure Drawing Class

•February 8, 2011 • 1 Comment

I finally made it back to the figure drawing class last night at Steve Carpenter’s studio.

I am feeling more comfortable with it – obviously the gesture drawings are really quick and off. A lot of the other people in the group throw their sketches out as soon as the class is over. Some of them even wipe the image off the paper each and every time with the quicker studies.

For me I prefer to save them so that I can see my progress with it and how much it helps.

Tonight I go back to painting class again (every Tuesday for a little bit yet) and I’m not sure what I am going to start tonight yet.

Anyhow, here is what I made yesterday in the class:

Mad Hatter Remains & the Wet Paint Project

•February 7, 2011 • 1 Comment

Chris Dingwell asked me to participate in the Wet Pain Project at Mad Hatter Remains this year. It was definitely an honor to be included in this group.

Of course, as I am sure you would know by now, I was very nervous about going and painting not only directly in front of the public – but also alongside such talented and mostly professionally trained painters. Knowing that Holly Azzara was going to be there helped a lot. I love Holly to pieces and she and I play nice together. While we have never painted together, I knew that just having a friend there would help keep me grounded.

As it turns out, the entire weekend was a wonderful, relaxing inspiring time. I’ll post some pictures here of what each artist was working on and then just throw a whole mess of random pictures up on facebook.

It’s a pretty long drive from here to Maine – fortunately Paul had been looking forward to breaking in his new truck a little bit better and he is much better at driving than me (and even actually LIKES it). We left first thing Friday morning and headed East (much to Paul’s dismay nothing required four wheel drive or off roading between here and there).

The room at the Merry Manor Inn (yes, really) was nice enough and had massaging chair and a lobster there to greet us.

I figured that after all of that driving that Paul would probably spend the entire weekend in that chair. I have never seen a hotel room with a massaging chair – I think it is a great idea and they should all start doing it.

After finding the space that we would be painting in – I realized that I had forgotten my easel. I just figured that I could duct tape the canvas to a chair – but Deana came to the rescue and found one somewhere in the hotel.

Deana Lippens is the promoter of this show and also the promoter of the Women’s tattoo convention in Florida that I used to attend every year. I haven’t been able to get to that one for quite a few years now – so it was wonderful to see Deana and her husband George again.

I had some time to get set up and start trying to lay out my painting and meet up with Holly before Chris’ seminar started.

My original intention was to have this piece horizontally arranged so that I could get some extra arms in there:

but fortunately I realized right away that wasn’t going to be the way to go and switched it around:

tightened it up just a touch more:

and went off to Chris’ seminar. While I have taken this one before – it is always amazing to hang out with Chris and watch him work. He is a source of inspiration and has taught me far more than I think he knows.

From there I get a little fuzzy about who did what on which day, so I will just show you what everyone was working on:

Holly:

Chloe Vanessa who was only able to join us on Saturday:

Diedra who was both painting and working the tattoo booth in the other room:

Annie Johnson:

Johnny Thief:

Matthew Lukesh:

Chris Dingwell:

CanMan:

and more work on the piece that I started way up at the top of this post:

That’s about as far as I felt that I could take it in one coat. Once it dries enough I will be going back into it.

Overall the weekend was a wonderful experience – got to meet and hang out with some extraordinary people as well as spend some time with some old friends.

thank you one and all – most especially Chris and Deana for making this weekend possible.

Sorry about the blue text. As soon as I figure out how that happened, I will fix it.


Art Class

•February 2, 2011 • Leave a Comment

So last night’s class went so much better. It’s amazing how much easier everything is when I am not an emotional wreck.

Go figure, right?

Anyhow. I took more photos yesterday than normal and what follows is what I did in class. The class is 3 hours long and I arrived a little late – so these follow a span of about 2-1/2 hours total so far.

For review:

This is the Art Class that I am taking at the Memorial Art Gallery Creative Worskshop. Under Fred Lipp. I think it is titled Advanced Painting or something along those lines.

Fred is a great teacher and works with all of us on whatever level we are at (sometimes even by the day and situation as is the case with me). He can be brutal in his critiques – but that is why I am there. To learn. Which is not going to happen if I only listen to the people who tell me I am doing a great job.

Working in such an open medium as painting has really been difficult for me. When I sit down with a canvas I can do ANYTHING with it. Which can be both freeing and crippling. In tattooing I am given specifics and parameters from the client and then work within those. With painting I can do whatever I want – which can actually be the hardest part of the process.

What do I want to do?

I have so little free time for personal creative pursuits that I want to make the most of it. I want to learn and push myself – but of course I still want to make something that I can be pleased with. These are often contradicting intentions. I have to remember that the process (in this) is the goal. Unlike in tattooing where the finished piece is the goal.

Actually very different pursuits.

In this piece I would like to push the planes further – make the area below the jaw recede back further and put some more definition into the structures – but overall I am pretty pleased with it thus far. I had always read that you should never use black in your paintings and so it felt wrong to do the large black field behind him (her?) but I think it was an okay choice. I may overpaint it with purple later – but right now I like it just black.

The photo reference was stolen off of another artists facebook page. Sorry Joe for stealing your dog – I just really liked the lighting.

Not Currently Booking

•January 31, 2011 • 1 Comment

For the foreseeable future I will not be booking any further appointments. My schedule is mostly full until the June 3oth deadline that I had set for myself. The remaining spots will be needed for ongoing projects.

I hope to begin booking again sometime in July of 2011.

If you have any questions, please feel free to contact me directly.

————–

To address the rumors that start every time that I do this – I am NOT quitting tattooing. I am NOT taking time off to focus on painting. I am closing the books because my appointment schedule is full until June 30th.

I am not dead (I love when I hear that one).

I am not retiring.

If you hear any other good rumors that you would like to share with me – let me know!

thank you again for your ongoing support.

~ TeeJay

Frank & Beckie

•January 30, 2011 • 4 Comments

I’m going to try and highlight clients as they come around. Frank and Bec were in the shop in Webster yesterday to get some work done on Beckie’s leg.

We were talking while they were there and figure they have been coming to see me for almost ten years. Our first encounter was actually because another shop sent them to me. At that time Frank & Bec were living in (or near?) Ithaca. They had come to Rochester because another artist in the area had been recommended to them. They went to see him and he said they would be better off with me.

That resulted in me putting this on Beckie’s back:

with the raccoon coming later to balance out the squirrel that she already had on the other side.

I did some reworking of existing tattoos on both of them which I do not not have photos of.

I’m not sure what order all the rest of the tattoos happened in so I will just post all of them below ending up with the piece that Bec was having worked on Saturday.

Some of the pieces are completed and some have other elements yet to come. Frank is taking a medical hiatus from getting tattooed.

I always look forward to them coming to Rochester and Paul and I have become friends with Frank and Bec (and several of their friends) over the years. Frank even officiated at Paul’s and my wedding.

It occurs to me that I should start getting photos of people’s faces to go along with these profiles.

Frank & Beckie – thank you for your friendship and for allowing me to decorate your persons : ) it has been a pleasure getting to know both of you.

—-

side note for readers and tattoo browsers: all of these photos were taken yesterday. I am sure you will notice that there is a whole lot of white tattooed in Beckie’s skin. This is NOT possible on all people and all skin types. Beckie has great tattoo skin and takes incredibly good care of her tattoos. Please do not use these photos to show to your artist to insist that they can tattoo that much white into YOU. Take your artists advice to heart. We do know what we are talking about (well usually…. most of us do…. anyhow… you get the idea…. this stuff only works on the right skin with an artist who knows what they are doing)

Ideal Client?

•January 29, 2011 • 3 Comments

So I have given lots of examples of less than ideal clients – mainly because those stories are kind of fun to tell. What about the other end? I have a ton of customers that I love to see walk in the door. What makes for an ideal client?

Well I have long joked that my ideal client would be a fantastically wealthy albino who can sit for a tattoo for hours at a time. While I am not expecting that one to walk in the door anytime soon – there are plenty of other wonderful people who cross my path. I will be profiling some of them here after I get permission from them to talk about my experiences with them in an open forum.

Today I’m going to tell you about Eric.

Eric was getting tattooed from me for a while before he moved out of state. He came back into town recently (not sure if he is staying or not) and it got me to thinking about how much fun I have had with his tattoos over the years.

Some people believe that the best thing you could possibly say to your tattoo artist is “do whatever you want on me”. It really isn’t. Without knowing each other well – that just isn’t going to work out. What if I am in the mood to color your entire arm as real tree camo and you think that is redneck? Are you willing to live your entire life with something because *I* think that it is cool and you don’t? Doubt it.

For me the ideal client gives me some ideas and an area. I find that I will develop a “style” with each client as I work with them. Do they prefer black & grey? dark imagery? fun stuff? The work becomes a collaboration between client and artist. The work that I make for Eric looks nothing like what I make for Nadia or Bernie. They are unique individuals with unique tastes and I am proud of the ideas and designs that we have come up with together.

So back to Eric. In talking with Eric this last time I realized I have no idea of the order that these tattoos came to be, so here you go in no particular order:

This is the piece that I made for Eric last week. He explained to me that he had spent some time somewhere that he didn’t want to be and had no desire to return to. He wanted a reminder of this permanently placed on his skin. Only specific criteria was that it had to contain “C-4”. Something smallish compared to some of his other work and he was unsure as to rather it was going to be for his forearm or calf.

This one was a cover up so the area was set. Parameters “A brain-dead test monkey breaking an eight ball with a monkey wrench”.

Skulls for the tops of his feet. I don’t remember who’s idea the head gear was. This one Eric had actually envisioned a little smaller than what I did. He has some great stories about how his feet felt afterwards. If you run into him somewhere, be sure to ask him about it.

 

This one was originally started out as a sleeve design and then eventually wound up on his back instead. The most challenging and the most fun concept wise. I love this tattoo.

Eric told me that he wanted a “Crazy” tattoo. He wouldn’t get more specific than that. Just something crazy and it was up to me to figure out what that meant. I went off to think about it and decided to visually depict some of the euphemisms that people use for crazy. You know things like “out of his mind”, “certifiable”…. “toys in the attic”.

See how many of them you can find:

 

I also made some other pieces for Eric that I couldn’t find photos of. Maybe he can send me photos of the rotten apple core and the squished lady bug or I can grab some if I get to see him again.

Thanks Eric!

Are You Going to Make Fun of Me?

•January 28, 2011 • 2 Comments

Clients will often express the fear to us that we are going to make fun of them after they leave.

All of us (well everyone I know anyhow) has these kind of fears in their head and I greatly appreciate clients being willing to express them. In an effort to help these clients understand that they are NOT extraordinary I would like to begin to highlight some of the problem customers that we have encountered.

Some of the people who DO get talked about later.

For the purposes of my first story in this vein I will protect the identity of the artist involved. We will call him Sam. (You all know how much I like assigning random names to people in these stories) The client has no need of having his identity protected, but I will call him Slug since filthy horrible inconsiderate turd would be too long to write out each time.

Sam has booked an appointment with Slug and has spent a couple of days cleaning up and perfecting his drawings. It is a decent size piece and it goes from his knee to ankle. I actually can’t remember what the image was of. Sam is happy with the drawing and also is counting on the money from this tattoo to finish coming up with this months rent.

Slug strolls in late. He makes some small talk with Sam and then says to him “What do you think of this?” rolls up his pantleg and shows Sam the same tattoo that he has asked Sam to draw. Drawn and tattooed already on his other leg (recently, probably the day before as it is still fresh).

Sam is confused (as we all would be). “You got the tattoo done already?” Yes. “So you don’t want to do this?” confusion on his face, but all the rest of us know that he is disappointed as well. Both because he was actually excited about the drawing and that Sam needs the money.

“No, I still want you to do it.”

What? Are you serious? Why? You already have it done on the other leg. “I’m going to have you do it too and then whichever one turns out better, I’ll have the other one covered up.”

Now at this point there were a lot of options. He could have told Slug he was an idiot and send him out of the shop. He could have explained to Slug that it’s not that easy to cover up a tattoo that runs from knee to ankle. He could have just ignored the idiot warning signs and tattooed the guy anyhow. In the end this is what he decided to do. Figuring that he could do the tattoo, get a nice photo for his portfolio and no one would know that the client had the same tattoo done twice. (Plus he needed the money) Beyond that there was some pride involved as well that he wanted the tattoo that he made to be so much better than the one that they guy was wearing that Slug would realize what an idiot he was for going to the other shop.

So Sam puts Slug in the chair – raises him up nice and high and props his leg up to a convenient working height. Slug smells like you would expect someone that we are calling Slug to smell – so Sam insists that he leave his shoe on.

The tattoo progresses along quickly – about mid afternoon Slug sneezes. Why is this noteworthy? Because Sam has really short buzz cut sort of hair (you might say he was losing his hair – but I won’t). Sam sneezes and hurls a huge loogey onto the top of Sam’s head.

Yes Really.

Sam has to unglove and wipe the snot glob off the top of his head. He excuses himself to go to the restroom to wash his head and regain his composure. We all know Sam is thinking about gutting Slug. Eventually Sam comes back and returns to work. Slug says nothing. Doesn’t apologize. Doesn’t look guilty. Nothing. Just sits there in his festering glory.

I want to punch the guy.

Sam tries to maintain his composure and finish the tattoo. It gets to be the time that I need to leave for the day. Next day I ask Sam how the tattoo came out.

Sam is livid. Even the next day in retelling this story he is furious. Apparently after they had finished the tattoo Slug got up – opened his wallet – feigned surprise and went “Oh, wow, I don’t have any money…” or some sort of crap along those lines. Wallet was completely devoid of cash – not even a couple of crumpled singles.

Sam snagged the wallet out of Slug’s hands, locked the doors and explained to Slug about Theft of Service and how if he actually survived this situation the cops could be called to arrest what was left of him.

A conversation followed which we leave up to the readers imagination. Slug started making some phone calls and Sam got his money.

—–

So are we going to make fun of you after you leave? Probably not. If you are the sort of person who worries that you might get made fun of – than you probably aren’t very likely to act like the kind of person we talk about later.

——

and remember boys and girls

You Can’t Make This Shit Up

——-

As you have probably noticed…. the image at the top is not a slug and has nothing to do with the story. I did try looking for pictures of a slimey gooey slug with slime trailing behind it…. but made myself nauseous on the google search. So you will have to imagine your own festering pile of gross.

One of Those Days

•January 27, 2011 • 1 Comment

Wednesday was a bad day. Actually Monday Tuesday and Wednesday were bad days.

I could go through and list everything that went wrong over that three day period, but I’d rather not.

There was a book when I was a kid called “Alexander & the Terrible Horrible No Good Very Bad Day”. I’m not familiar with the book beyond the title – but once in a while we all have them. I think this stretch hit it’s full stride sometime Tuesday and has been improving ever since. Today was back to being just a normal day.

Thank Goodness. I really couldn’t have taken much more.

On the up side, I remembered that I have some wonderful people around me who I can lean on when things get really bad. Thank you all for getting me through to the other side.

And I actually managed to make it to art class Tuesday night and start another painting without crying or making a scene in class (not that I have done either before – but I really felt like falling apart and being in a public space helped make it not happen).

So here is the painting that I started (and again, as far as I got while in class… I haven’t gone back to the swan yet either). Of course I hated it that night (purely because of the mood that I was in). Not so bad now, other than it was supposed to be a pink elephant and right now it is definitely more purple than pink.

 

Marked Swan Pictures

•January 26, 2011 • 2 Comments

Putting these up here so that I can send the link when I “report” the swans location.

No other reason for them being here.